A World Premiere (with strings attached), and a return trip to Buxton

2017 has been a relatively busy year for the SSO.  We often only play one concert a year, but this year there have been two performances already.  We’ve also had a change of personnel, with Dorothea moving on to pastures new, and being replaced on baritone saxophone by Pauline, as well as a change of rehearsal venue.

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Last Wednesday was the date for our now-traditional annual trip to the Buxton Festival Fringe.  The traffic on the A6 out from Stockport was slower than ever, but the venue, the volunteer organisers and most importantly the audience more than made up for any frustrations in getting there.  (We got another nice review, too.)  Here’s our programme for the evening:-

  • The Lone Arranger Goes Sax Mad ~ arr. Phillip Nuttall / Nigel Wood
  • Clouds ~ Mike Dale
  • Singin’ in the Rain ~ Brown / Freed, arr. Don Ashton
  • Sheep May Safely Graze ~ J.S. Bach, arr. Alun Cook
  • Flower Duet ~ Delibes, arr. Nigel Wood
  • Black Coffee ~ Webster / Burke, arr. Mike Dale
  • Chatterbox ~ Pauline Gordon
  • Tomcat ~ Chattaway, arr. Don Ashton
  • Swingmatism ~ McShann, arr. Mike Dale
  • Cushion Foot Stomp ~ Williams, arr. David Webber
  • Marigold ~ Mayerl, arr. Gordon Robson
  • The Zonk Zone ~ John Halton
  • Forgotten Dreams ~ Anderson, arr. Helen Southall
  • Crucifixus ~ Lotti, arr. Chris Jolly
  • The Pearls ~ Morton, arr. David Webber
  • Sidewalk Blues ~ Morton, arr. David Webber
  • Masquerade ~ Khachaturian arr. Gordon Robson

There were a couple of premieres in our Buxton programme: this was a first public performance for both Clouds and our arrangement of Forgotten Dreams.  We gave a more unusual first performance in May though, at Helen’s 50th birthday party.  Two SSO members (Helen and David) are both also members of the Infernal Twangers ukulele group, and Helen decided that a joint performance by both groups was an essential part of her birthday celebrations.  David duly obliged with an arrangement of ‘It’s Tight Like That’ which is probably unique in its instrumentation (at least since the the song was written in the 1920s), and was definitely a lot of fun.  Now for a few weeks off, before we start planning our next campaign!

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The Sovereign Saxophone Octet in Concert at the Buxton Festival Fringe

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The Sovereign Saxophone Octet at Buxton Methodist Church [Photo: Brian Lightowler]

We were back at Buxton again last night, with more new tunes to add to the well-tried favourites.  As ever the Festival Fringe organisation was spot on, and the good folk at the Buxton Methodist Church (along with band partners helping with tickets and refreshments) did us proud.  There was a good and enthusiastic audience, and we garnered another complimentary review to add to our collection.  A thoroughly enjoyable and worthwhile evening out!

Here’s this year’s programme in detail:-

  • African Waltz ~ Galt MacDermot arr. Gordon Robson
  • Sheep May Safely Graze ~ J.S. Bach arr. Alun Cook
  • The Pearls ~ Jelly Roll Morton arr. David Webber
  • Beale Street Blues ~ W.C. Handy arr. David Webber
  • Canzona “La Padovana” ~ Ludovico Gross de Viadana
  • Nimrod ~ Elgar arr. J.J. Ashley
  • Wachet Auf ~ J.S. Bach arr. Adrian Budgen
  • Carnival ~ Karen Street
  • Tahiti Trot ~ Shostakovich arr. Gordon Robson
  • O Magnum Mysterium ~ Giovanni Gabrieli arr. Stephen Hutchinson
  • Building Blocks ~ Mike Dale
  • L’il Darlin’ ~ Neal Hefti arr. Gordon Robson
  • Take Five ~ Paul Desmond
  • Oblivion ~ Astor Piazzola arr. Gordon Robson
  • Witch Hunt ~ Ulrich Schultheiss arr. Nigel Wood
  • Moon River ~ Henry Mancini arr. Don Ashton